Tuesday, April 28, 2009

My New Old Sewing Machine

Do you have something in your home you hold onto that takes up precious space and may be infrequently used, but when you need it, you are so grateful that it is exactly where you stashed it, if only you could remember where?

Although I may go several months without using my little old sewing machine, I do need it on occasion. So I pull it out, dust if off, drag it over to the dining room table and in seconds I'm threaded and readying the speed controller underfoot. This system worked smoothly until one fateful Sunday afternoon in early December when I was putting the finishing stitches on a simple linen towel project.

The whirring sound of my almost completed gift uttered a grinding, crunching sound. I shook my head in slight disbelief that my reliable Touch and Sew, circa 1968, stopped without my provocation. I checked the thread was unbroken, peeked into the bobbin case for a jam, manually turned the hand wheel and it still wouldn't budge. Not exactly knowing what to do, I lifted all the irrelevant panels and hinged doors to notice absolutely nothing wrong. I tried turning off the power as if to re-boot and make this bad dream go away, but the jam remained.

Disgusted at my mechanical ignorance, I called the local sewing and craft shop. "Sorry dear, we don't do repairs on antique sewing machines here." I called my local home fabric source. "Sorry dear, we don't deal with that here. We have our own workshops to do all the sewing for us."

I sat back down, steeled myself, selected a fine looking shiny needle from my pin cushion, threaded it and started to create my own tiny row of stitches. I felt like I had traveled back in time to the days before electric sewing machines or to the prairie of Laura Ingalls Wilder.

I have looked at new machines, I looked at old machines, I waited patiently for the right solution. This weekend I bought a Singer 522 Stylist for all the wrong reasons. I needed a working machine. I liked the built-in table. THC said he needed something mended. I have a soft spot in my heart for old Singer machines.

It looks great. It seems to run well. But it's a little tricky without a manual. Oh dear, being green is sometimes a steep learning curve.

Wednesday, April 22, 2009

Groovy Style

Big, bold and beautiful in purple rings good morning 1975 from Westclox.

Groovy girl gift boxes from the late 1960s deserve a revival of some sort.

Transparency's the key for this acrylic chair, maker unknown, made in Brazil, circa 1970.

Pink, orange, and yellow define this room from Family Circle's Do It Yourself Encyclopedia, 1973.

Great 70s product design for the Uncola - crisp, refreshing 7up.

Milton Bradley was up to speed with its paper dolls, circa 1967.

Very mod Op shades from Argentina, mid 1960s.

For more details on these selections, just click on the images. Thanks for following 973's Groovy Week and our celebration of little known, but undeniably groovy designs.

Tuesday, April 21, 2009

Go Go Be Groovy

With Go Go boots this fabulous looking, it's hard to pick which retro color is my fave.

Why not wear two contrasting patterns like stripes and dots together?


Now for the men, nothing says 1971 like a hand-knit belted sweater.


For the man seeking comfort in his dressed up threads, 1975 remains the heyday of the leisure suit sans wide lapel, cuffed sleeves and bell bottoms.


For more information on the groovy week selections above, simply click on the images.

Saturday, April 18, 2009

Groovy Designs

Looking around for some inspiring groovy images brought me to groovy fabrics. I love the now-vintage fabrics of the late 60s and 70s. Textile designers today are introducing some of these bold patterns, imagery and colors in new collections, which are easier to find than the originals. I happened upon the groovy guitar pattern and was immediately drawn to it. It comes from Michael Miller Fabrics, started in 1999 by Michael Steiner and Kathy Miller.

The groovy element continues in these MMF swatches.



For more info on groovy fabrics, just click on the images.

For more inspirations, check back during 973's Groovy Design Week.

Thursday, April 16, 2009

Groovy, Baby

I can't help but say "oh, groovy" each time I uncover this puzzle from the depths of my storage room. I am more tolerant of it now than when it was donated to me years ago from an older friend with a child born in the 70s. It was crafted and stamped Child's Play from Asheville, NC. I have a little trouble envisioning it as a toy that parents would embrace today for a young child. However, for an older child or adult of any age who is interested in retro fonts and lettering, it's a thoughtful re-gift.

Speaking of groovy fonts, here are a few I recently found at dafont.com:






Do you have a font or object that evokes groovy? Then by all means, please send it along to 973Third@gmail.com or leave a comment here.

We'd love to hear from you, baby!

Sunday, April 12, 2009

Easter Greetings from 973






More vintage holiday cards may be found at http://vintageholidaycrafts.com

Friday, April 10, 2009

A Canopy of Glass

Over a decade ago, I once sat in a beautiful courtyard in downtown Washington DC. The grassy courtyard had lots of trees and park furniture and paths leading to the entrances of the museum buildings around it on all four sides. Now the courtyard of the Old Patent Office Building has been made more beautiful still and transformed into a delightful new public space with a few improvements, most notably a glass canopy.

The Robert and Arlene Kogod Courtyard of the Reynolds Center of the Smithsonian Institution may be more familiarly known as the short-cut between the National Portrait Gallery and the Smithsonian American Art Museum. The museum complex is housed in a fine 19th century Greek revival structure, a National Historic Landmark, begun in 1836 under architect Robert Mills and completed in 1867 as one of the city's first public buildings.

In its history, the courtyard was also the site of President Abraham Lincoln's second inaugural ball in 1865. The glass and steel canopy was designed by Foster + Partners. "Given the importance of the Old Patent Office, the design was wholly driven by a deep respect for the existing building," Sir Norman Foster said. "It was decided that it should not touch the building at any point but instead float above it like a cloud over the courtyard." The curved glass top, supported by 8 unobtrusive columns, fills the space with light and a feeling of weightlessness as you walk through the 2,800 square foot space watching the shapes of the grid work above appear to undulate.

Landscape architect Kathryn Gustafson contributed to the interior of the space, with the selection of large trees and shrubs and the inviting seating, which are really planters carved of marble. She also designed four very shallow pools of water, adding great drama to the courtyard. Her signature water scrims seem to disappear into the stone floor when not in use.

The space is a remarkable example of history and modern architecture in harmony for the increased usability of the space. And the fabulous result is a place worth visiting and lingering.


Top photo courtesy of David Y. Lee and The New York Times
Bottom photo courtesy of Tim Hursley and the Smithsonian Institution

Lunch is available daily in the Courtyard Cafe 11:30 to 4.

Thursday, April 2, 2009

Universal Messaging

International images we recognize have moved far beyond the well known signs for the ladies' or men's room. But still there is something charming in the simple design prototype of the single color graphic in a square with rounded corners. No matter how many languages you speak, or can read, these wordless signs are fun. Maybe they are visual puns or just clues, but they entertain us and convey a message for our benefit.


I recently found several sheets of sticky labels leftover from a Moleskine planner journal. The graphic images are so delightful for their unique representations of everyday life. They reminded me of the old familiar signs, but were deservedly more universal in their message. Maybe the world is getting smaller after all.

Friday, March 27, 2009

Brain Spa

Brain anatomy. 16th century diagram of the anatomy of the human brain and the nerves associated with the senses of hearing, taste, sight and smell. The diagram, which is labeled in Latin, is from Magnus Hundt's Antropologium (Leipzig, 1501).

Have you been multitasking so much you feel you are losing your power of concentration? Treat yourself to a brain spa and sit in on a lecture from a great university. You don't need to take notes or prep for any exams, just find a seat, absorb the knowledge and stimulate your brain.

This week two new services, Academic Earth and YouTube EDU, have been launched to make your access to university classes even easier. There are no registration lines, no need to audit, no early classes, and no tuition fees. Try it and rejuvenate your brain!

Image courtesy of Sheila Terry / Science Photo Library

Saturday, March 21, 2009

Photo Cube - DIY with Paper

Photo cubes for Mother's Day by Perri Lewis. Photograph by Natalie Naccache/Guardian

Perhaps spring is inspiring you to get crafty. With 6 photos, card stock, scissors, a ruler and glue, you can whip up a little 3-d gift and practice your geometry skills, too! I'm sharing this from Perry Lewis at the Guardian. She tells it best:

Like any handmade present, it can be personalised and it shows you've done more than dropped into Tesco on your way to visit. What's more, it might bring back floods of happy memories of all the wonderfully rubbish stuff you made for her from egg cartons, washing-up liquid bottles and crepe paper as a nipper.

If you're not going to see your mum on Sunday, don't worry. Make a small photo cube and send it, unfolded, with instructions on how to assemble it.

Photo cube

What you need

A piece of thin card
Pencil
Ruler
Craft knife or scissors
Six photos
Spray mount or a glue stick
Double-sided tape
Sticky back plastic (optional)

What to do

1. Draw a cube net on to a piece of thin card, or download one of these ready-made ones (pdf) and print it out.

2. Cut the cube net out: a craft knife and ruler will give you the cleanest cut, but you can use scissors if you don't have one to hand. Score each line carefully.

3. Choose six pictures for your photo cube. As each photo needs to be the same size as the face of your cube net, you need to either a) use photo editing software to make each picture the same size, then print them out, or b) print the photos out first, then cut them to size.

4. Glue one photo to each face of the cube net, on the side without the black lines. I thoroughly recommend that you use spray mount for this rather than a glue stick - you will get a better, more even coverage with no little lumps, so your pictures will have a smooth finish. A can costs about £7, but it lasts for ages and can be used for all sorts of paper craft. Of course, if you don't have any spray mount, use a glue stick or double-sided tape.

5. This step is entirely optional, but if you want make your photo cube a little more study, cover the whole cube net in sticky back plastic.

6. Add strips of double-sided tape to the tabs and assemble the cube. Again, I prefer not to use a glue stick – double-sided tape is far less messy - but use whatever suitable adhesive you have to hand.

Thank you Perry and a very Happy Day to all Mothers in the U.K. and other places celebrating Mother's Day this weekend.

Friday, March 20, 2009

Keep Calm & Consider Alternatives


If the original Keep Calm and Carry On message doesn't suit you, here are but a few alternatives to consider:













For more info on any Keep Calm and Carry On parody featured above, just click on the image. See the previous blog entry for the story of the design sensation and original WWII poster saved from obscurity.

Thursday, March 19, 2009

Keep Calm & Carry On

Keep calm and carry on is a great message and a very timely one for us at this exact point in history. It's also a great poster design. The baronial graphic of the crown and the clear Gill font in caps further expresses the simple focus of the message. Well, sure, we can be optimistic with such a thoughtful and charming mantra and a pleasing graphic design to view. I'm feeling better about the world already.

The timelessness of the message and the beautiful simplicity of the graphic elements do not reveal the artist who designed the poster. Now available throughout Great Britain on t-shirts, tote bags, tea towels and door mats, to name just a few, what little is known about it is that it was created as part of a British Ministry of Information propaganda campaign in August of 1939 to alleviate fear of a possible German invasion.

A series of three posters were created under the crown of King George VI, yet only the first two were widely released, appearing on billboards, train stations and shops throughout England. The third design, Keep Calm, was held in reserve, and, thankfully, never needed for its intended use.

Somehow, somewhere, a copy of the unused poster was saved for about 60 years. It resurfaced in a box of old books purchased at auction in 2000 by booksellers Stuart and Mary Manley of Barter Books in Northumberland. They hung the poster in their shop and started to research its origins. Frequent requests to purchase it led them to reproduce the poster and offer it for sale. Some 40,000 copies have been sold through them.

In spite of its wartime origins, the message of resilience is welcome. The archives of British history and design gained a document almost unknown and the rest of us gain the benefits.

Special thanks to Jon Henley for his article Keep Calm and Carry On in the Guardian on March 18, 2009 and Mary Manley's blog entry on March 4, 2009.

Friday, March 13, 2009

Frugalista


frugalista (froog'gal-ees-ta) n. "person who leads a frugal lifestyle, but stays fashionable and healthy by swapping clothes, buying second-hand, growing own produce, etc."

It may not have made the New Oxford American Dictionary's 2008 Word of the Year, but it is a deserving strong finalist. As we face the hard facts of the surround-sound economic crisis crumbling around us – frugalista appears to be a word with staying power. It is a power we’ll need to use as we tighten the belt once again, dust off the sewing machine and serve up dinner of rice and beans for hungry family and friends.

I'm not sure of the protocol regarding new words if they don't yet appear in a dictionary. But it’s such a good word I’m excited to add it to my vocabulary. I would also like to expand its definition. After all, it is such a recent addition to our language certainly the word is still evolving and malleable.

There are plenty of us all over the globe who have learned the art of stretching the wampum, by necessity and practicality. We (hereafter known as frugalistas) know how to make do, quite stylishly, with less. We are not only managing and discovering new ways to do it better, we are also eco-conscious in our choices. From time to time, we might even be a little eco-chic. We reduce, recycle and reuse to the limits of our imaginations.

Special thanks to William Safire for his article On Language - Frugalista in the New York Times Magazine, November 23, 2008 and Natalie McNeal for her blog, The Frugalista Files.

Good looking and sturdy market and tote bags made of earth-friendly materials each sell for under $1.50.

Tuesday, March 3, 2009

Typewriter Style

The height of modern industrial design and portability were exemplified in this new design of the Olivetti Lettera 32 typewriter in 1963. Weighing in at about 13 pounds, this diminutive beauty was a great convenience for students and journalists. With a flick of a switch, the type changed from black to red or no ink for carbon copies.

Design conscious from early on, Olivetti was founded in Italy in 1908. From the 1940s to the 1960s Marcello Nizzoli, (1887-1969) one of Italy's most influential designers, directed product design including the iconic early Letteras. In addition to his role as head product-design consultant, he also worked for Olivetti as an architect, designing housing for employees (1948) and office buildings (1960s).

Click here for a delightful gallery of Olivetti's portable typewriters at the Portable Typewriter Reference Site.

Below are some vintage images of earlier brands of typewriters and their typists/writers and assemblers.
Typing pool, circa 1890

Sales office, circa 1900

Assemblers, circa 1911

These images appear courtesy of The Virtual Typewriter Museum. Please click on over to see all their collections.

Back at 973, the little Olivetti sits out with a piece of paper in the roller at the ready. The grocery list grows; a reminder to return a call is added; and other terrifically important notes are kept in one convenient place in our writing machine.

It's still a great way to communicate!

Saturday, February 28, 2009

Handwrite Your Own Font

Despite warnings that neatness counted and penmanship was graded alongside academic subjects in school, the best handwriting from my pen or pencil ended up closer to chicken scratch. Now I've revisited my sloppy curves and uneven squiggles in an attempt to tidy up my handwriting to create a legible font.

YourFonts is a web-based tool that transformed my combo print/italic scribble-scrabble into a TrueType font free of charge. The process is simple and easily accomplished with a printer and scanner nearby. First, download the pdf template. Second, neatly fill in each box, staying clearly inside the designated boundaries. Third, scan the completed template and upload to YourFonts. Fourth, preview and download your new personalized font.

No more excuses for not writing a personal note!

Thank You

Welcome to our clever crafting friends joining us from One Pretty Thing and Rachel's treasure trove of enticing projects at Daily DIY.

From the traditional craft of quilling papers into beautiful letters to the more immediate gratification of making your own handwriting into a font, the limits of lettering, typography, and design continue to intrigue us at this address.

Tuesday, February 24, 2009

Illuminated Letters


Lettering by hand with serifs and flourishes embellishes your message with beauty, creativity, and thoughtfulness. But you do not have to be an accomplished calligrapher to put together a monogram or a mini missive in a quilled alphabet as illustrated above and below.

The art of quilling or paper filigree is versatile and forgiving for the beginner. For starters, quilling is easy to learn and doesn't require a large investment in tools. Click here for more details on basic quilling instructions.

Shaping letters works best if you curl your paper strips first to condition them. Enlarge your alphabet pattern to the desired size and cut your strips to the approximate length needed for each part of the letter. Shape your strips over the pattern to match the curves of the letters. Glue together the strips as needed to form a single letter. When dry, glue the edges onto your card stock to finish.

For many more great ideas on this paper craft I recommend checking out The New Paper Quilling by Molly Smith Christensen.

Images courtesy of Molly Smith Christensen and Lark Books

Tuesday, February 17, 2009

Diminutive Designs in Cork

The Annual Champagne Chair Contest by Design Within Reach poses the challenge to create an original miniature chair using only the foil, label, cage and cork from no more than two Champagne bottles. The contest rolls around just before New Year's when you might be planning to enjoy a little bubbly. If you are not big on Champagne, they will also accept the recycled cork and foil set-up from any sparkling wine.
Three top winners were selected from the 2009 entries. The Kub Armchair (top) by Jesse Menayan was named as the Judges’ Pick. The Grape Divine Chair (just above) by Tony Nemyer was selected as the DWR Staff Pick, and Spring 2009 (below) by Gavri Slasky won the Popular Vote.
For more information on the contest and where to view a traveling exhibit of the top 50 winning designs, click over to DWR.

Images courtesy of Design Within Reach